òran mór

A few months ago, a new Irish pub opened in Seabrook, NH on Rte. 107, called Kate O’Shea’s. We had heard good things about it from our friends Mark and Claire Tobyne, as well as Reagh Greenleaf, who has played a few gigs there. Everything we heard was that it’s a comfortable, cozy place, with friendly staff and good food.

Ian from Kate O'Shea's Irish Pub, with our friends Mark and Claire Tobyne

Well, they weren’t lying. I stopped in last week to confirm an upcoming gig with owners Ian and Kerri, and they were very welcoming and friendly. Then again, I like any pub where the owners book live music.

Don’t take my word for it, though! Come on down to check out Kate O’Shea’s Irish Pub for yourself this Friday night (Feb. 19). We’ll be playing there starting at 7:30 pm, and hope to make our debut at Kate’s a great night. We’re looking forward to seeing some friends there, and maybe even dragging Mark and Claire up on stage to sing us a song.

Just a quick note to let y’all know that we’ll be performing with Terry Weir this Sunday (1/24) as Sligo Road at The Port Tavern in Newburyport. We always have a great time, the people are great, and the food and drink are excellent.

However, if you were planning to stop by RiRa’s on Monday night (1/25) to see us, you’ll be out of luck. They’ll be closed for a private function, so we get the night off. We’ll be back the following Monday, of course.

Such is the life of musicians…which reminds me of a joke, which should tide you over until we see you in-person again:

We're not getting in, no how...

So there we were at RiRa last night, with Ramona Connelly joining Pete and I, and we decided to play Amelia’s Waltz.  That beautiful melody, written by NH treasure Bob McQuillen, has long been a favorite fiddle tune for Ramona and me.

During the tune a woman walked over behind Pete to listen a little closer – and when we were done she said to him “That was beautiful … that’s my waltz.”  Pete smiled, and she added, ” I’m Amelia … Bob McQuillen wrote that for me.”  Now she had our attention and we enjoyed the first chance for all of us to meet ‘the’ Amelia.

After we’d chatted for a minute. I asked her to confirm or correct the interesting story I’d heard about how she’d been named ‘Amelia.’  The tale had started with Charles Lindbergh’s historic flight in1927.  As two large wooden crates had been built for his plane’s ocean journey back to the states,  they were given to the ship’s captain, Admiral Guy Burrage.  He built them into a humble cottage in the woods near Contoocook NH.  In about 1980 Amelia’s mother, Deana Stiles was living in that cottage, and Amelia was born right there.  I had heard that, with the Lindbergh connection, she’d been named after Amelia Earhart – but last night I got ‘the rest of the story.’   She said her mother loved Joni Mitchell’s song ‘Amelia’ — which does reference Earhart, but has some broader threads.  As her mother played flute at contra dances with Bob, he wrote the waltz for Amelia when she was about 3. 

One more note – I see that the cottage was bought and moved to Canaan, Maine, where it’s been restored as the centerpiece of Lindbergh’s Crates Museum there.

All in all, quite a special moment for us all – seeing the real Amelia there as we finished playing her song.

After a great  first night at RiRa,  we’ve got a better feel for the room, the PA settings, and the best way to involve our musical friends in the fun.  As we posted earlier, in we’re looking to create something different…so here’s what we’re envisioning.

We’ll have two open chairs that we’ll mostly pre-arrange with the couple of players or singers who want to be part of our little ‘collaborative performance’ each week. It’ll be more planned and controlled than a session, but we hope everyone will see that it offers some things that wide open sessions don’t:

• For those who come to listen, this format means you’ll get to  ‘really hear’ the great musicians from the Seacoast and beyond play with us…and each week will be different because the other players will bring their own repetoire to the table.

• For our musician friends, the smaller table means we’ll be able to hear each other better — so the music will be tighter and sound the best it can. Plus, you’ll have more chances to lead the songs and tunes.

On November 23rd, Ramona Connelly and Emery Hutchins will join us to put the plan into action.

Ramona will bring her  fiddle and plenty of super tunes – and, when we be lucky enough – we hope she’ll give us some songs.

Emery, with the  combination of concertinas, guitar, banjo, drum, and stories that he chooses, will light up the night for us all.

Hope you can swing by for a pint and/or to give us a song or two.

And if any of our musician friends are interested in getting into the mix, let us know when you might want to stop by and we’ll get you there. Looking forward to some great craic!

While we were still feeling a bit nostalgic about the era just ending at McMenemy’s, we were happy to get a note from Scott the manager at RiRa, inviting us to get together and talk about starting up a new night there…. Mondays from 7-10, starting November 16th.

We’ll use about the same setup we had at McM’s, with Pete and I at a table with mics and room for a few musical friends. The pub wants that format because it’s something different than their other nights, and we like it because it combines the best aspects of a performance and a session. How will that work?

• The performance part engages the audience, with a base of practiced, popular songs and tunes they know. That gets the punters in the door and ‘pays the rent’ for the business.
• The session part means we have one or a few friends join us for added spontaneity and variety. With a small group around one table, we can all hear what we are doing, making the music tighter, and giving those players more chances to lead songs and tunes with a solid foundation.

We hope you’ll enjoy this “collaborative performance” formula and join us on occasion. Having you there will help us make each Monday night unique and fun.

Looking forward to our maiden voyage tonight — hoping you can be there.